Michael Rosenfeld Gallery, LLC

Michael Rosenfeld Gallery is pleased to present its third solo exhibition for Benny Andrews (American, 1930–2006), showcasing portraits—a vital and constant genre throughout the artist’s oeuvre. Scheduled to open on Saturday, September 26, 2020, Benny Andrews: Portraits, A Real Person Before the Eyes will feature 35 portraits, represented by paintings and works on paper created between 1957 and 1998. The exhibition will be accompanied by a fully-illustrated color catalogue with new scholarship by Jessica Bell Brown, Associate Curator for Contemporary Art, The Baltimore Museum of Art; Connie H. Choi, Associate Curator, Permanent Collection, The Studio Museum in Harlem; and Kyle Williams, Director of the Andrews-Humphrey Family Foundation.

An escape to the seaside signals the arrival of summer days and the restless yearning for adventure. The sea—at once a tranquil oasis and an unpredictable temptation—has had an eternal lure, drawing in swimmers, sailors and explorers with the smell of salty air, the feel of warm sand and the sound of crashing waves. For the arrival of this most unusual July—the seventh month of the year, named for the Roman general Julius Caesar—we feature seascapes in a range of styles and mediums that capture life by the shore: one that is bustling and teeming with sea craft, boisterous crowds, beach games and graceful birds, as well as one of sublime isolation—a liminal place on the edge of the world where land meets the great expanse and unknown of the ocean. These portraits of the sea depict marine pastimes like fishing and sailing, swimming and sunbathing, as well as its inhabitants—from birds and fish to the mythic creatures of our wild imaginations. They evoke all that is unique to the coastal shoreline—from the natural: the shimmer of the sun as it reflects off ever-moving water, the early morning mist that wafts over its surface, the bite of the salty breeze, the call of seabirds on the hunt—to those sights and sounds distinguished by centuries of leisurely human pleasures: the anticipation of cool water on hot skin, the laughter elicited from a wave’s spray, the solace of a shady umbrella, the simple joy of a sandcastle, the communion of friends and family. We hope you find some beach time this summer and, as Ralph Waldo Emerson encouraged, “Live in the sunshine, swim the sea, Drink the wild air’s salubrity…”[1] Going to Sea features works by Milton Avery, Leonid Berman, Joseph Cornell, James Daugherty, Louis Eilshemius, Morris Graves, Robert Gwathmey, Palmer Hayden, Hans Hofmann, William H. Johnson, Lee Krasner, Hughie Lee-Smith, Norman Lewis, Reginald Marsh, Jan Matulka, Fairfield Porter, Theodore Roszak, Charles G. Shaw, Esphyr Slobodkina and Toshiko Takaezu. 1. Ralph Waldo Emerson, "Merlin's Song," in The Complete Essays and Other Writings of Ralph Waldo Emerson, ed. Brooks Atkinson (New York: The Modern Library, 1940), 80

New York City is our home and we are proud to be #NewYorkTough, contributing to the metropolis that for centuries has been a global hub of creativity and innovation. To honor our city, we present a selection of paintings and drawings—sixteen examples, dating from 1912 to 2007—that capture the urban environment from uptown to downtown, from east to west, and from street to sky, intimately illustrating landmarks and thoroughfares. To view our online exhibition including works by Benny Andrews, Romare Bearden, Max Arthur Cohn, Howard Norton Cook, Joseph Delaney, Red Grooms, Hananiah Harari, Jacob Lawrence, John Marin, Adelaide Morris, Richard Rychtarik, Paul Sample, Henry Ernest Schnakenberg, Abraham Walkowitz, Max Weber, and William T. Williams visit our website.

Hopscotch! Chess! Jump rope! Billiards! Football! Baseball! Cards! Make-believe! Hide-and-seek! All of these activities & more are part of our collective and shared American cultural experience. Now that we are spending more time at home, without the distraction of live sports, film, theater, and museums, activities of playtime have become more crucial, and more creative, than ever. We present a selection of works from the 20th century that portray familiar and celebratory moments of Americans at play.

Cut, Crumpled, Drawn, Torn, Glued, Layered, Painted, Folded, Saturated, Creased, Stained, Dyed, Scratched, Erased, Scrubbed, Printed, Stamped, Peeled... Exploring the Materiality of Paper

Michael Rosenfeld Gallery | Celebrating 30 Years Michael Rosenfeld Gallery opened its inaugural exhibition on December 10, 1989. In celebration of this milestone, we present a selection of exemplary works by the artists that we have consistently championed over the past thirty years. Visit us in Booth G4 to see many of the artists that you have come to know and admire through our rich history of exhibitions, programming and publications.

Opening Reception Thursday, November, 21, 2019 / 6:00–8:00PM Featuring works by Charles Alston, William Baziotes, Romare Bearden, Harold Cousins, Dorothy Dehner, Jimmy Ernst, Claire Falkenstein, Herbert Ferber, Michael Goldberg, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Richard Hunt, Gerome Kamrowski, Lee Krasner, Ibram Lassaw, Norman Lewis, Seymour Lipton, Boris Margo, Roberto Matta, Gordon Onslow Ford, Alfonso Ossorio, Jackson Pollock, Richard Pousette-Dart, Theodore Roszak, Mark Rothko, Charles Seliger, Janet Sobel, Theodoros Stamos, Bradley Walker Tomlin, Laurence Vail and Hale Woodruff.

Opening Reception: Thursday, September 5, 2019 / 6–8PM

A color catalogue will accompany the exhibition. Michael Rosenfeld Gallery is the exclusive representative of Mary Bauermeister (b.1934).

Art of Defiance: Radical Materials examines the groundbreaking use of materials by artists Hannelore Baron, Mary Bauermeister, Lee Bontecou, Barbara Chase-Riboud, Claire Falkenstein, Nancy Grossman, Louise Nevelson, & Betye Saar. Each developed their individual approach by utilizing materials defined by their physicality, representing a freedom from the constraints of traditional, male-dominated media in art history. The exhibition explores how these artists blurred the boundaries of two- and three-dimensions with their singular constructions, expanding the field of art-making in a way that still resonates today.

Image: Norman Lewis (1909–1979), After Dawn, 1966, oil on canvas, 49 1/2 x 60 , signed

Michael Goldberg (1924-2007), "Park Avenue Facade" (detail), 1957-58, oil on canvas, 111 1/2" x 107 1/2" / 283.2 x 273.1 cm, signed and dated