Marianne Boesky Gallery

Marianne Boesky is pleased to present Saudades, an exhibition of paintings by Pier Paolo Calzolari (b. 1943; Bologna, Italy). Made in 2016, shortly after the artist moved to Portugal, the 12 paintings featured in Saudades draw on the ethos of Arte Povera to examine the quality of light and sense of peace Calzolari found upon his arrival in Lisbon.

Marianne Boesky Gallery is pleased to present Between Matter & Illumination, a group exhibition organized by Marianne Boesky. Featuring work by fourteen artists—spanning mediums, generations and geographies—Between Matter & Illumination explores the inextricable relationships between life and art.

Marianne Boesky is pleased to present A Personal Unit, an exhibition of new work by Claudia Wieser (b. 1973; Freilassing, Germany). For her third solo exhibition, Wieser transforms the gallery into a stage for examining shifts in perception of time, place, and self.

Marianne Boesky Gallery is pleased to present Gods Shaped of Mud, an exhibition of new work by Martyn Cross (b. 1975; Yate, United Kingdom). For his third solo exhibition with the gallery, Cross evokes the power of myth to examine the enduring kinship of the Earth and its inhabitants.

Marianne Boesky Gallery is pleased to present Esto es América, o qual é o limite?, an exhibition of new work by Gabriel Chaile (b. 1985; San Miguel de Tucumán, Argentina). For his debut New York solo exhibition, Chaile activates a new suite of adobe sculptures with a profound sense of political purpose.

Marianne Boesky Gallery is pleased to present Some Weather, an exhibition of new work by Celeste Rapone (b. 1985; New Jersey). For her second solo exhibition with the gallery, the Chicago-based painter presents a new suite of paintings that examine the personal and professional anxieties of approaching middle age in a moment of distinct political and social upheaval.

Marianne Boesky Gallery is pleased to present Unfolded Proximities, an exhibition of new work by Nathalie Khayat (b. 1966; Beirut, Lebanon). For her debut New York solo show, Khayat presents a suite of new sculptures that expand the very possibility of expression in clay.

Marianne Boesky Gallery is pleased to present Softly Radiant, Half-Buried, a group exhibition curated by artist Martyn Cross. With Softly Radiant, Half-Buried, Cross brings together 15 artists whose work occupies a place beyond time, consciousness, and reality—artists with whom Cross feels an innate connection and who have served as points of inspiration and reflection as he works toward his next solo exhibition at Marianne Boesky Gallery, slated to open in October.

Marianne Boesky Gallery is pleased to present Disobedient Thoughts, an exhibition of new work by Ghada Amer (b. 1963; Cairo, Egypt). For her third solo exhibition with the gallery, Amer presents a suite of new embroidered paintings alongside experimental sculptures in ceramic, bronze, and steel.

Marianne Boesky Gallery is pleased to present Nascer da Terra, the debut U.S. solo exhibition of Brazilian painter Thalita Hamaoui (b. 1981; São Paulo, Brazil). For her first exhibition with the gallery, Hamaoui weaves generational memory and folklore into imagined landscapes teeming with the abundance of tropical nature.

Marianne Boesky Gallery is pleased to present California is Somewhere Else, an exhibition of work by Los Angeles-based artists the Haas Brothers (b. 1984; Santa Monica, CA), Dashiell Manley (b.1983; Fontana, CA), and Anthony Pearson (b. 1969, Los Angeles, CA).

Marianne Boesky Gallery is pleased to present On the Water, an exhibition of aquatic-themed works by Jennifer Bartlett (1941–2022). Drawing from various bodies of work made throughout the artist’s prodigious career, On the Water is the first in a series of three exhibitions exploring the significant motifs of Bartlett’s practice. Jennifer Bartlett: In the House will open at Pippy Houldsworth Gallery in London on June 6; Jennifer Bartlett: In the Woods will follow at Paula Cooper Gallery in New York.

Marianne Boesky Gallery is pleased to present Celestine, an exhibition of new work by Allison Janae Hamilton (b. 1984; Lexington, KY). For her second solo exhibition with the gallery, Hamilton turns her attention to the revelatory relationship of land and sky, of earthly and celestial.

Marianne Boesky Gallery is pleased to present Configurations in Black, an exhibition of new paintings and sculptures by South Africa-based artist Serge Alain Nitegeka (b. 1983; Rwanda). For his fifth solo exhibition in more than ten years with the gallery, Nitegeka imbues his newest body of work with symbolically and politically charged colors and forms.

Calvairate, like every new installation of Svenja Deininger’s work, began much as a writer begins a sentence: treating each individual painting as a word, the artist carefully arranges them within the gallery to create a sense of rhythm, of purpose, of meaning. From this, a meandering conversation arises—as Deininger’s lines and forms and colors and patterns flow in and out of one another, shapes, colors, and patterns appear and reappear as ideas turn over again and again. For Calvairate Part II, Deininger rewrites the exhibition, moving it to Marianne Boesky Gallery’s adjoining gallery space at 507 West 24th Street. In its first iteration, the exhibition appeared in a narrow, winding gallery demarcated by self-contained spaces, creating tantalizing, provocative sight lines as the viewer rounded corners. In its second iteration, the exhibition appears in a large, open gallery space flooded with natural light. In this space, the flow of the sentence—the conversation created among these paintings—shifts fundamentally: a quiet, ambling conversation opens up to new ideas, to new connections throughout the gallery.

Marianne Boesky Gallery is pleased to present Calvairate, an exhibition of new work by Austrian painter Svenja Deininger (b. 1974; Vienna, Austria). For her fifth solo exhibition with the gallery, Deininger continues her intuitive exploration of color and form.

Marianne Boesky Gallery is pleased to present Morning Thoughts, an exhibition of new work by Jammie Holmes (b. 1984; Thibodaux; LA). For his second solo exhibition with the gallery, Holmes imbues large-scale paintings of gardens and flowers with potent narratives of love and loss, hope and survival, community and resistance.

Marianne Boesky Gallery is pleased to present Inner Homeland, an exhibition of new work by Dutch painter Hannah van Bart (b. 1963; Oud-Zuilen, Maarssen, the Netherlands). For her seventh solo exhibition with Marianne Boesky Gallery, van Bart captures fleeting sensorial memories in vivid, evocative landscapes.

Marianne Boesky Gallery is pleased to present Divine Consumer, an exhibition of new paintings by Gina Beavers (b. 1974; Athens, Greece). For her newest body of work—the Comfortcore Paintings—Beavers transforms into intimate textured relief paintings an endless digital stream of domestic goods for sale in a seductive range of comforting patterns, colors, and textures.

Marianne Boesky Gallery is pleased to present Devolve, an exhibition of new work by Jay Heikes (b. 1975; Princeton, NJ). For his sixth solo exhibition with the gallery, Heikes peers into an imagined, post-human future as nature takes hold of the ruins and relics of human society.

Marianne Boesky Gallery is pleased to present Sublime Spirit, a summer group exhibition organized by Marianne Boesky. Featuring work by 12 artists from around the world, Sublime Spirit explores the animal urge to give oneself over to nature, to retreat from society and return to an arcadia of one’s own imagining.

Marianne Boesky Gallery is pleased to present Material World, a group exhibition curated by gallery artist Gina Beavers. With Material World, Beavers brings together 22 artists who examine the power in everyday objects—artists who have served as points of inspiration and reflection for Beavers as she works toward her next solo exhibition at Marianne Boesky Gallery, opening in September 2024.

Marianne Boesky Gallery is pleased to present Highland Seer, an exhibition of new work by Suzanne McClelland (b. 1959; Jacksonville, FL). For her second solo exhibition with Marianne Boesky Gallery, McClelland turns her keen observational eye to notions of measurement and prediction, incorporating divergent materials, forms, and modes of painting that she has developed throughout the course of her 35-year career.

Marianne Boesky Gallery is pleased to present Highland Seer, an exhibition of new work by Suzanne McClelland (b. 1959; Jacksonville, FL). For her second solo exhibition with Marianne Boesky Gallery, McClelland turns her keen observational eye to notions of measurement and prediction, incorporating divergent materials, forms, and modes of painting that she has developed throughout the course of her 35-year career.

Marianne Boesky Gallery is pleased to present Inner Visions, an exhibition of new work by the Los Angeles-based artist duo the Haas Brothers (b. 1984; Austin, TX). Featuring all-new sculptures and paintings, Inner Visions—the Haas Brothers' third solo exhibition with Marianne Boesky Gallery—captures the precise physics, disciplined methodology, and subtle spirituality underpinning their ongoing material experimentations. Inner Visions coincides with Haas Brothers: Moonlight, on view at the Nasher Sculpture Center, Dallas, TX, May 11 - August 25, 2024.

Marianne Boesky Gallery is pleased to present Inner Visions, an exhibition of new work by the Los Angeles-based artist duo the Haas Brothers (b. 1984; Austin, TX). Featuring all-new sculptures and paintings, Inner Visions—the Haas Brothers' third solo exhibition with Marianne Boesky Gallery—captures the precise physics, disciplined methodology, and subtle spirituality underpinning their ongoing material experimentations

Marianne Boesky Gallery is pleased to present Quiet Storm, an exhibition of new work by Danielle Mckinney (b. 1981; Montgomery, AL). In this ambitious new suite of oil paintings, Mckinney infuses intimate settings with radical beauty and striking emotional sway. Quiet Storm comes on the heels of the opening of Mckinney’s first institutional solo exhibition, Fly on the Wall, on view at the Fondazione Sandretto Re Rebaudengo in Turin, Italy through October 2024.

Marianne Boesky Gallery is pleased to present HECHO EN MÉXICO—a mano (MADE IN MEXICO—by hand), an exhibition of all-new work by American painter Mary Lovelace O’Neal (b. 1942; Jackson, MS). In these monumental canvases—all made over the past three years in the artist’s Mérida, Mexico studio—Lovelace O’Neal mines the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice. Mary Lovelace O’Neal: HECHO EN MÉXICO—a mano coincides with Lovelace O’Neal’s inclusion in the 2024 Whitney Biennial, opening March 20, and a solo exhibition of her work at the San Francisco Museum of Modern Art, opening March 16.

Marianne Boesky Gallery is pleased to present In the distance there was a glimpse, an exhibition of new work by Franco-Russian artist Apollinaria Broche (b. 1995; Moscow, Russia; lives in Paris, France). For her first solo exhibition in New York, Broche pulls at threads of fantasy, myth, and memory, crafting surreal dreamworlds and imagined escapes that echo the political concerns of her generation.